{ "personId": "sl-0731", "uid": "SL-0731", "name": "伊戈尔·斯特拉文斯基", "version": "V2研究贡献账", "updatedAt": "2026-09-15", "formula": { "q": "Q = 10^(M/2) − 1", "light": "Lᵢ = aᵢ × Qᵢ", "total": "L = Σ Lᵢ", "score": "S = 2 × log₁₀(1 + L)" }, "scopeNote": "本轮当前已列7项有限研究账；M与归功份额为可修订判断。未覆盖内容和未核清的负面作用不按零处理，具体缺口见逐项说明。", "exclusions": [ { "id": "stravinsky-gap-1", "title": "作品逐份手稿、委约、首演与版本档案", "reason": "现有基金会传记与目录能固定时期、代表作和部分合作关系，但不足以逐作结清文本、编舞、舞美、排演与修订责任。" }, { "id": "stravinsky-gap-2", "title": "录音、指挥、钢琴卷与《音乐诗学》", "reason": "这些活动有文献记录，但尚未核明是否形成不与七个作品终态重叠的独立主要成果。" }, { "id": "stravinsky-gap-3", "title": "后世作曲、编舞、演出、教学与商业使用", "reason": "后来的作曲家、编舞者、表演者、录音和发行机构有独立劳动，不能由原作作者概括领取。" }, { "id": "stravinsky-gap-4", "title": "序列技法的发明与其他作曲家的路线", "reason": "晚期作品采用并整合序列材料；序列技法的既有发展及他人的独立写作不归入。" } ], "items": [ { "id": "OUT-SL0731-1910-1913-RUSSIAN-BALLETS-STAGE-CORPUS", "title": "《火鸟》《彼得鲁什卡》《春之祭》的早期舞台音乐作品族", "summary": "三部早期俄罗斯芭蕾的原始音乐—舞蹈—舞台终态；后世编舞与录音排除。", "M": "6.4", "budget": [ { "actor": "斯特拉文斯基", "actorId": "SL-0731", "type": "PERSON", "share": "0.33" }, { "actor": "佳吉列夫", "actorId": "SL-2101", "type": "PERSON", "share": "0.13" }, { "actor": "编舞舞美与制作", "actorId": "IGOR-STRAVINSKY::BALLETS-RUSSES-CHOREOGRAPHY-DESIGN-AND-PRODUCTION-TEAMS", "type": "TEAM", "share": "0.18" }, { "actor": "俄民间、Rimsky、芭蕾与现代主义前史", "actorId": "IGOR-STRAVINSKY::RUSSIAN-FOLK-RIMSKY-KORSAKOV-BALLET-AND-MODERNIST-PREHISTORY", "type": "PREDECESSOR_POOL", "share": "0.14" }, { "actor": "乐团指挥与舞者", "actorId": "IGOR-STRAVINSKY::ORCHESTRAS-CONDUCTORS-AND-DANCERS-OF-ORIGINAL-PRODUCTIONS", "type": "TEAM", "share": "0.1" }, { "actor": "剧场与委约机构", "actorId": "IGOR-STRAVINSKY::BALLET-RUSSES-VENUES-AND-COMMISSIONING-INSTITUTIONS", "type": "INSTITUTION", "share": "0.05" }, { "actor": "版本编舞未解析", "actorId": "IGOR-STRAVINSKY::UNRESOLVED-STRAVINSKY-EARLY-BALLET-ATTRIBUTION", "type": "UNALLOCATED", "share": "0.07" } ], "mReason": "三部早期芭蕾在节奏组织、管弦音色、舞台时间与戏剧张力上共同形成全球重大综合表达能力，整族中心取M6.4。", "aReason": "个人音乐核心0.33，佳吉列夫、编舞舞美、表演和前史占多数。", "overlapNote": "后世编舞、乐团演奏、录音与《春之祭》接受史不回灌。", "status": "缺证暂估", "missing": "合同、手稿、编舞和排演档案。", "sources": [ { "label": "Stravinsky Foundation传记", "url": "https://fondation-igor-stravinsky.org/en/composer/biography/" }, { "label": "官方作品目录", "url": "https://fondation-igor-stravinsky.org/en/composer/works/" } ], "year": "1910–1913", "share": "0.33", "exactLight": "522.6847535121674501166934532191973143789159041622628925443779480644967650105898134363668988692166445", "light": "522.684754", "standaloneScore": "5.44", "lightSharePercent": "26.9035" }, { "id": "OUT-SL0731-1923-1951-NEOCLASSICAL-INSTRUMENTAL-CONCERT-CORPUS", "title": "八重奏、协奏与交响性新古典器乐作品族", "summary": "无舞台的新古典器乐作品；芭蕾、声乐、歌剧与序列作品排除。", "M": "5.8", "budget": [ { "actor": "斯特拉文斯基", "actorId": "SL-0731", "type": "PERSON", "share": "0.4" }, { "actor": "巴洛克古典与Bach前史", "actorId": "IGOR-STRAVINSKY::BAROQUE-CLASSICAL-BACH-CONCERTO-FUGUE-AND-SYMPHONIC-PREHISTORY", "type": "PREDECESSOR_POOL", "share": "0.23" }, { "actor": "独奏、合奏与乐团", "actorId": "IGOR-STRAVINSKY::NEOCLASSICAL-INSTRUMENTAL-SOLOISTS-ENSEMBLES-CONDUCTORS-AND-ORCHESTRAS", "type": "TEAM", "share": "0.12" }, { "actor": "委约与赞助", "actorId": "IGOR-STRAVINSKY::NEOCLASSICAL-INSTRUMENTAL-COMMISSIONERS-AND-PATRONS", "type": "TEAM", "share": "0.07" }, { "actor": "抄写编辑出版", "actorId": "IGOR-STRAVINSKY::NEOCLASSICAL-COPYISTS-EDITORS-AND-PUBLISHERS", "type": "TEAM", "share": "0.06" }, { "actor": "机构", "actorId": "IGOR-STRAVINSKY::CONCERT-VENUES-PUBLISHERS-AND-PERFORMING-INSTITUTIONS", "type": "INSTITUTION", "share": "0.04" }, { "actor": "未解析", "actorId": "IGOR-STRAVINSKY::UNRESOLVED-STRAVINSKY-NEOCLASSICAL-INSTRUMENTAL-ATTRIBUTION", "type": "UNALLOCATED", "share": "0.08" } ], "mReason": "跨八重奏、协奏与交响性作品的多种非舞台编制持续重组旧形式、节奏和和声，形成重要新古典器乐语料，中心取M5.8。", "aReason": "作者较集中，但历史形式、表演和委约占0.60。", "overlapNote": "舞台新古典与后继演奏录音排除。", "status": "缺证暂估", "missing": "官方目录导出与代表作分析。", "sources": [ { "label": "Stravinsky Foundation传记", "url": "https://fondation-igor-stravinsky.org/en/composer/biography/" } ], "year": "1923–1951", "share": "0.4", "exactLight": "317.3312938897126008263673131345551730355842527021937328369295717267822788765950149988381007388761112", "light": "317.331294", "standaloneScore": "5.01", "lightSharePercent": "16.3336" }, { "id": "OUT-SL0731-1920-1947-NEOCLASSICAL-BALLET-STAGE-CORPUS", "title": "《普尔钦奈拉》《阿波罗》《奥菲欧》等新古典芭蕾舞台作品族", "summary": "以舞蹈和剧场为必要终态的新古典芭蕾；早期芭蕾与纯器乐排除。", "M": "5.9", "budget": [ { "actor": "斯特拉文斯基", "actorId": "SL-0731", "type": "PERSON", "share": "0.32" }, { "actor": "旧乐谱神话与芭蕾前史", "actorId": "IGOR-STRAVINSKY::ATTRIBUTED-PERGOLESI-BAROQUE-CLASSICAL-MYTH-AND-BALLET-PREHISTORY", "type": "PREDECESSOR_POOL", "share": "0.18" }, { "actor": "佳吉列夫", "actorId": "SL-2101", "type": "PERSON", "share": "0.08" }, { "actor": "Picasso、Massine、Balanchine等", "actorId": "IGOR-STRAVINSKY::PICASSO-MASSINE-BALANCHINE-AND-STAGE-COLLABORATORS", "type": "TEAM", "share": "0.19" }, { "actor": "舞者乐团与制作", "actorId": "IGOR-STRAVINSKY::DANCERS-ORCHESTRAS-CONDUCTORS-AND-STAGE-PRODUCTION-TEAMS", "type": "TEAM", "share": "0.11" }, { "actor": "芭蕾团与剧院", "actorId": "IGOR-STRAVINSKY::BALLET-COMPANIES-COMMISSIONERS-AND-THEATRES", "type": "INSTITUTION", "share": "0.05" }, { "actor": "未解析", "actorId": "IGOR-STRAVINSKY::UNRESOLVED-STRAVINSKY-NEOCLASSICAL-STAGE-ATTRIBUTION", "type": "UNALLOCATED", "share": "0.07" } ], "mReason": "多部作品把历史音乐、神话与芭蕾材料重构为各自完整的现代音乐—舞蹈终态，并形成持续的新古典舞台作品族，中心取M5.9。", "aReason": "作曲者仅0.32，舞台合作者与材料前史不可吞并。", "overlapNote": "纯器乐版本只领有证媒介残余；后世编舞演出排除。", "status": "缺证暂估", "missing": "逐作舞台档案、谱析与借用材料。", "sources": [ { "label": "Stravinsky Foundation传记", "url": "https://fondation-igor-stravinsky.org/en/composer/biography/" } ], "year": "1920–1947", "share": "0.32", "exactLight": "284.8803002027985695849947779450550284754799305376154783833419184215900513894084317682067987195367831", "light": "284.880300", "standaloneScore": "4.91", "lightSharePercent": "14.6633" }, { "id": "OUT-SL0731-1916-1923-SWISS-CHAMBER-THEATRE-CORPUS", "title": "战时小编制剧场与打击乐作品族", "summary": "受生产约束形成的小编制、叙事与打击乐舞台终态。", "M": "5.7", "budget": [ { "actor": "斯特拉文斯基", "actorId": "SL-0731", "type": "PERSON", "share": "0.31" }, { "actor": "Ramuz", "actorId": "EXT-NAME:CHARLES-FERDINAND-RAMUZ", "type": "PERSON", "share": "0.1" }, { "actor": "编舞舞美演奏舞蹈团队", "actorId": "IGOR-STRAVINSKY::CHOREOGRAPHERS-DESIGNERS-MUSICIANS-DANCERS-AND-STAGE-TEAMS", "type": "TEAM", "share": "0.17" }, { "actor": "民间爵士剧场与室内前史", "actorId": "IGOR-STRAVINSKY::RUSSIAN-FOLK-JAZZ-POPULAR-THEATRE-AND-CHAMBER-PREHISTORY", "type": "PREDECESSOR_POOL", "share": "0.16" }, { "actor": "其他文本合作者", "actorId": "IGOR-STRAVINSKY::LIBRETTISTS-TRANSLATORS-AND-OTHER-NAMED-COLLABORATORS", "type": "TEAM", "share": "0.08" }, { "actor": "委约场地出版", "actorId": "IGOR-STRAVINSKY::SWISS-COMMISSIONERS-VENUES-AND-PUBLISHING-INSTITUTIONS", "type": "INSTITUTION", "share": "0.08" }, { "actor": "未解析", "actorId": "IGOR-STRAVINSKY::UNRESOLVED-STRAVINSKY-SWISS-CORPUS-ATTRIBUTION", "type": "UNALLOCATED", "share": "0.1" } ], "mReason": "《狐狸》《士兵的故事》《婚礼》等把战时资源约束转为小编制、叙事、打击乐与可移动剧场机制，形成重要混合剧场作品族，中心取M5.7。", "aReason": "文本、舞台和表演团队占主要部分，个人保持0.31。", "overlapNote": "早期大芭蕾、新古典作品与后世制作排除。", "status": "缺证暂估", "missing": "逐作文本、编舞与首演。", "sources": [ { "label": "Stravinsky Foundation传记", "url": "https://fondation-igor-stravinsky.org/en/composer/biography/" } ], "year": "1916–1923", "share": "0.31", "exactLight": "219.1531931590827523486866320786869398998742193209025912114193627338016737422707345434363947311504660", "light": "219.153193", "standaloneScore": "4.69", "lightSharePercent": "11.2802" }, { "id": "OUT-SL0731-1930-1948-NEOCLASSICAL-SACRED-VOCAL-CORPUS", "title": "《诗篇交响曲》《弥撒》等新古典宗教声乐作品族", "summary": "新古典宗教合唱与声乐；晚期序列宗教作品排除。", "M": "5.5", "budget": [ { "actor": "斯特拉文斯基", "actorId": "SL-0731", "type": "PERSON", "share": "0.39" }, { "actor": "诗篇礼文共同体", "actorId": "IGOR-STRAVINSKY::PSALMS-LITURGY-LATIN-TEXT-AND-SACRED-MUSIC-SOURCE-COMMUNITIES", "type": "TEAM", "share": "0.17" }, { "actor": "弥撒合唱前史", "actorId": "IGOR-STRAVINSKY::MASS-CHORAL-SYMPHONIC-AND-NEOCLASSICAL-PREHISTORY", "type": "PREDECESSOR_POOL", "share": "0.18" }, { "actor": "合唱独唱乐团", "actorId": "IGOR-STRAVINSKY::CHOIRS-SOLOISTS-ORCHESTRAS-CONDUCTORS-AND-EARLY-PERFORMERS", "type": "TEAM", "share": "0.12" }, { "actor": "机构", "actorId": "IGOR-STRAVINSKY::CHURCH-CONCERT-COMMISSIONING-AND-PUBLISHING-INSTITUTIONS", "type": "INSTITUTION", "share": "0.06" }, { "actor": "未解析", "actorId": "IGOR-STRAVINSKY::UNRESOLVED-STRAVINSKY-SACRED-VOCAL-ATTRIBUTION", "type": "UNALLOCATED", "share": "0.08" } ], "mReason": "《诗篇交响曲》《弥撒》等以诗篇/礼文、块状声部和特殊编制形成可在礼仪与音乐会中成立的宗教声乐作品族，中心取M5.5。", "aReason": "礼文、合唱传统和集体演出占0.61。", "overlapNote": "信仰真值和后世礼仪使用不计；后继录音排除。", "status": "缺证暂估", "missing": "完整目录、逐谱与双场景使用。", "sources": [ { "label": "官方作品目录", "url": "https://fondation-igor-stravinsky.org/en/composer/works/" } ], "year": "1930–1948", "share": "0.39", "exactLight": "218.9231168242361413540309055128276802726179068084897489918588752569945917707945110732846139652259193", "light": "218.923117", "standaloneScore": "4.68", "lightSharePercent": "11.2683" }, { "id": "OUT-SL0731-1948-1951-RAKES-PROGRESS-OPERA", "title": "《浪子历程》的完整歌剧终态", "summary": "三幕英语歌剧的音乐、剧本与原始制作；Hogarth图像自身排除。", "M": "5.5", "budget": [ { "actor": "斯特拉文斯基", "actorId": "SL-0731", "type": "PERSON", "share": "0.34" }, { "actor": "Auden与Kallman", "actorId": "IGOR-STRAVINSKY::AUDEN-KALLMAN-AND-LIBRETTO-COLLABORATION", "type": "TEAM", "share": "0.16" }, { "actor": "William Hogarth", "actorId": "EXT-NAME:WILLIAM-HOGARTH", "type": "PERSON", "share": "0.08" }, { "actor": "Mozart与歌剧前史", "actorId": "IGOR-STRAVINSKY::MOZART-OPERA-BUFFA-ENGLISH-OPERA-AND-NEOCLASSICAL-PREHISTORY", "type": "PREDECESSOR_POOL", "share": "0.17" }, { "actor": "首演制作", "actorId": "IGOR-STRAVINSKY::SINGERS-ORCHESTRA-CONDUCTOR-DESIGNERS-AND-VENICE-PRODUCTION-TEAM", "type": "TEAM", "share": "0.12" }, { "actor": "La Fenice等机构", "actorId": "IGOR-STRAVINSKY::LA-FENICE-COMMISSIONERS-PUBLISHERS-AND-OPERA-INSTITUTIONS", "type": "INSTITUTION", "share": "0.06" }, { "actor": "未解析", "actorId": "IGOR-STRAVINSKY::UNRESOLVED-RAKES-PROGRESS-ATTRIBUTION", "type": "UNALLOCATED", "share": "0.07" } ], "mReason": "三幕英语歌剧把音乐、剧本、人物、乐团、歌唱与舞台组织成可独立失效和持续复演的完整大型终态，中心取M5.5。", "aReason": "剧本、图像来源、歌剧前史和制作占0.66。", "overlapNote": "其他舞台作、新古典一般风格与后世制作排除。", "status": "缺证暂估", "missing": "剧本档案、谱析与首演记录。", "sources": [ { "label": "Stravinsky Foundation传记", "url": "https://fondation-igor-stravinsky.org/en/composer/biography/" } ], "year": "1948–1951", "share": "0.34", "exactLight": "190.8560505647186873342833535240036186992053546535551657877744040702004133386413686279917147389149040", "light": "190.856051", "standaloneScore": "4.57", "lightSharePercent": "9.8237" }, { "id": "OUT-SL0731-1952-1968-LATE-SERIAL-INTEGRATION-CORPUS", "title": "晚期序列技法整合的声乐、器乐与舞台作品族", "summary": "把序列技法接入既有节奏、宗教声乐与舞台语言；序列法发明排除。", "M": "5.6", "budget": [ { "actor": "斯特拉文斯基", "actorId": "SL-0731", "type": "PERSON", "share": "0.3" }, { "actor": "Robert Craft", "actorId": "EXT-NAME:ROBERT-CRAFT", "type": "PERSON", "share": "0.16" }, { "actor": "Schoenberg、Berg、Webern与序列前史", "actorId": "IGOR-STRAVINSKY::SCHOENBERG-BERG-WEBERN-AND-SERIALISM-PREHISTORY", "type": "PREDECESSOR_POOL", "share": "0.2" }, { "actor": "Balanchine等合作者", "actorId": "IGOR-STRAVINSKY::BALANCHINE-AND-LATE-WORK-TEXT-STAGE-COLLABORATORS", "type": "TEAM", "share": "0.09" }, { "actor": "委约与表演团队", "actorId": "IGOR-STRAVINSKY::LATE-COMMISSIONERS-ENSEMBLES-SINGERS-DANCERS-AND-CONDUCTORS", "type": "TEAM", "share": "0.12" }, { "actor": "机构", "actorId": "IGOR-STRAVINSKY::LATE-PERFORMING-AND-COMMISSIONING-INSTITUTIONS", "type": "INSTITUTION", "share": "0.05" }, { "actor": "未解析", "actorId": "IGOR-STRAVINSKY::UNRESOLVED-STRAVINSKY-SERIAL-ATTRIBUTION", "type": "UNALLOCATED", "share": "0.08" } ], "mReason": "多部晚期声乐、器乐与舞台作品把序列组织接入其节奏、宗教声乐和舞台语言，形成可识别、跨媒介的整合作品族，中心取M5.6；序列法发明不在范围。", "aReason": "个人0.30；Craft、序列前驱、合作者和表演交付占主要份额。", "overlapNote": "只计新作品终态；一般序列主义和Craft独立工作排除。", "status": "缺证暂估", "missing": "手稿、往来、排演与各作形成过程。", "sources": [ { "label": "Stravinsky Foundation传记", "url": "https://fondation-igor-stravinsky.org/en/composer/biography/" }, { "label": "Cambridge Stravinsky Encyclopedia入口", "url": "https://fondation-igor-stravinsky.org/en/the-cambridge-stravinsky-encyclopedia/" } ], "year": "1952–1966", "share": "0.3", "exactLight": "188.9872033440579748303080409867031594018835771564686173583188586500484829893060422718742203230956795", "light": "188.987203", "standaloneScore": "4.56", "lightSharePercent": "9.7275" } ], "exactTotalLight": "1942.815911496774176395364476401028914163561145341488227114020938923914257117605916719998742086016508", "totalLight": "1942.815911", "exactScore": "6.577310265617992614362456214701124977094710704201464605378069604867181956582185097902418573460887132", "displayScore": "6.58", "provisionalCount": 7, "provenance": { "releaseId": "research-200-20260914", "baselineLedgerSha256": "8bdd406b3e20ae22357644499e622922c670ff11010df0478c70c23b38902108", "c24DeltaSha256": "b0b96144d1d3397e54a61c3d706ff2da5920fe7617e3bef50407149cb97d9d62", "generatorSha256": "25de659e9852503508e7c27d8a31773b8da5d6310531b1e3699d18cc94319929" }, "priorScopeNote": "7项已列贡献的研究估分，含7项暂估。账本覆盖有限的主要成果，尚未穷尽生涯。M与归功份额是可修订的评估判断；未覆盖经历和负面影响不按零处理。", "rank": 34 }