{ "personId": "sl-3233", "uid": "SL-3233", "name": "勒内·马格利特", "version": "V2研究贡献账", "updatedAt": "2026-09-15", "formula": { "q": "Q = 10^(M/2) − 1", "light": "Lᵢ = aᵢ × Qᵢ", "total": "L = Σ Lᵢ", "score": "S = 2 × log₁₀(1 + L)" }, "scopeNote": "本轮当前已列4项有限研究账；M与归功份额为可修订判断。未覆盖内容和未核清的负面作用不按零处理，具体缺口见逐项说明。", "exclusions": [ { "id": "MAGRITTE-PHOTOGRAPHY-FILM-AND-COMMERCIAL-DESIGN", "title": "摄影、电影与商业设计", "reason": "馆藏确认材料存在，但缺主要作品目录和独立增量分析；不由绘画名望倒推。" }, { "id": "MAGRITTE-UNDATED-COLLABORATIVE-RUG", "title": "与热尔热特及保罗·努热合作的超现实主义地毯", "reason": "馆藏证明具名合作，但原作年代、各人具体劳动及制作链尚未核定，单列缺口，不按馆藏顺序猜年代。" } ], "items": [ { "id": "OUT-SL3233-1926-1939-IMAGE-WORD-REPRESENTATION-CORPUS", "title": "图像—文字与再现悖论成熟作品族", "year": "1926–1939", "summary": "用清晰具象风格制造语言和图像指称的不稳定，使哲学问题成为可观看作品。", "mReason": "跨多件核心作品形成高度可辨且可研究的视觉方法，达到重要现代绘画母族量级。", "aReason": "勒内·马格里特 .64；待核实的直接交流与协作输入 .08；超现实主义、符号与绘画前史 .14；模特、制作与同期展览团队 .07；未解析份额 .07。份额为可修订研究判断。", "sources": [ { "label": "机构资料与原作记录", "url": "https://musee-magritte-museum.be/en/about-the-museum/biography" }, { "label": "机构资料与原作记录", "url": "https://www.moma.org/collection/artists/3692" }, { "label": "机构资料与原作记录", "url": "https://www.magrittemuseum.be/index.php/en/museum-2/the-collection/" } ], "missing": "未逐作互斥映射；Paul Nougé具体题名贡献需档案核", "status": "缺证暂估", "overlapNote": "计1926后至战前以日常物件、遮蔽、尺度错位及图像—文字关系为核心的成熟绘画；不按《图像的背叛》等单幅重复M。", "M": "6.1", "budget": [ { "actor": "勒内·马格利特", "actorId": "SL-3233", "type": "PERSON", "share": ".64" }, { "actor": "待核实的直接交流与协作输入", "actorId": "RENE-MAGRITTE::PAUL-NOUGE-AND-BELGIAN-SURREALIST-INTERLOCUTORS", "type": "UNALLOCATED", "share": ".08" }, { "actor": "超现实主义、符号与绘画前史", "actorId": "RENE-MAGRITTE::SURREALIST-SEMIOTIC-AND-PAINTING-PREDECESSORS", "type": "PREDECESSOR_POOL", "share": ".14" }, { "actor": "模特、制作与同期展览团队", "actorId": "RENE-MAGRITTE::MODELS-FABRICATORS-AND-ORIGINAL-EXHIBITION-TEAMS", "type": "TEAM", "share": ".07" }, { "actor": "未解析份额", "actorId": "RENE-MAGRITTE::UNALLOCATED-SL3233-CORE", "type": "UNALLOCATED", "share": ".07" } ], "share": "0.64", "exactLight": "717.4518107532565987782649257458596715022774447107538959648476468288661137191835878030863428436419072", "light": "717.451811", "standaloneScore": "5.71", "lightSharePercent": "45.6719" }, { "id": "OUT-SL3233-1950-1967-LATE-VARIANTS-COLLABORATIVE-OBJECTS", "title": "晚年绘画主题与构图变体", "year": "1950–1967", "summary": "围绕反复出现的图像发展新的构图、尺度与并置关系。", "mReason": "长期且跨媒介，但重复性使其只领取增量残余，低于核心母族。", "aReason": "勒内·马格里特 .52；待核实的制作协作输入 .08；待核实的语言与交流输入 .05；工作室与同期展览支持 .15；马格里特早期语料输入 .12；未解析份额 .08。份额为可修订研究判断。", "sources": [ { "label": "机构资料与原作记录", "url": "https://musee-magritte-museum.be/en/about-the-museum/biography" }, { "label": "机构资料与原作记录", "url": "https://www.magrittemuseum.be/index.php/en/museum-2/the-collection/" } ], "missing": "逐版本作者监督与制作未核；摄影和电影仍未单列", "status": "缺证暂估", "overlapNote": "计1950–1967晚年绘画中新构图及系列变化，只领相对1926–1939核心语料的新增作品价值；馆藏合作地毯未明确年份，不强行编入此阶段，铸造与未定位物件暂不计。", "M": "5.7", "budget": [ { "actor": "勒内·马格利特", "actorId": "SL-3233", "type": "PERSON", "share": ".52" }, { "actor": "待核实的制作协作输入", "actorId": "RENE-MAGRITTE::GEORGETTE-MAGRITTE", "type": "UNALLOCATED", "share": ".08" }, { "actor": "待核实的语言与交流输入", "actorId": "RENE-MAGRITTE::PAUL-NOUGE", "type": "UNALLOCATED", "share": ".05" }, { "actor": "工作室与同期展览支持", "actorId": "RENE-MAGRITTE::STUDIO-FABRICATION-CASTING-AND-EXHIBITION-TEAMS", "type": "TEAM", "share": ".15" }, { "actor": "马格里特早期语料输入", "actorId": "RENE-MAGRITTE::MAGRITTE-EARLIER-CORPUS-AS-PREDECESSOR-INPUT", "type": "PREDECESSOR_POOL", "share": ".12" }, { "actor": "未解析份额", "actorId": "RENE-MAGRITTE::UNALLOCATED-SL3233-LATE", "type": "UNALLOCATED", "share": ".08" } ], "share": "0.52", "exactLight": "367.6118078797517136171517699384426088643051420866753142901228020050866785354218772986675008393491687", "light": "367.611808", "standaloneScore": "5.13", "lightSharePercent": "23.4016" }, { "id": "OUT-SL3233-1940-1948-WARTIME-RENOIR-VACHE-EXPERIMENTS", "title": "战时“雷诺阿时期”与1948野兽时期实验", "year": "1940–1948", "summary": "在战争与战后语境中用明亮、粗粝和反品味风格测试个人语言边界。", "mReason": "独立语料和历史位置明确，但持续较短且大量价值依赖对既有风格的反用。", "aReason": "勒内·马格里特 .60；待核实的直接交流与协作输入 .08；雷诺阿、野兽派与超现实主义前史 .18；战时与巴黎展览团队 .07；未解析份额 .07。份额为可修订研究判断。", "sources": [ { "label": "机构资料与原作记录", "url": "https://musee-magritte-museum.be/en/about-the-museum/biography" } ], "missing": "当前馆方摘要不足以核每阶段作品范围；未逐读艺术史争论", "status": "缺证暂估", "overlapNote": "合并战时色彩转向及1948短暂vache作品为相对核心图像—文字族的阶段性实验残余；不另领成熟符号方法。", "M": "5.3", "budget": [ { "actor": "勒内·马格利特", "actorId": "SL-3233", "type": "PERSON", "share": ".60" }, { "actor": "待核实的直接交流与协作输入", "actorId": "RENE-MAGRITTE::GEORGETTE-MAGRITTE-AND-DIRECT-COLLABORATORS", "type": "UNALLOCATED", "share": ".08" }, { "actor": "雷诺阿、野兽派与超现实主义前史", "actorId": "RENE-MAGRITTE::RENOIR-FAUVISM-AND-SURREALISM-PREDECESSORS", "type": "PREDECESSOR_POOL", "share": ".18" }, { "actor": "战时与巴黎展览团队", "actorId": "RENE-MAGRITTE::WARTIME-AND-PARIS-EXHIBITION-TEAMS", "type": "TEAM", "share": ".07" }, { "actor": "未解析份额", "actorId": "RENE-MAGRITTE::UNALLOCATED-SL3233-WARTIME", "type": "UNALLOCATED", "share": ".07" } ], "share": "0.60", "exactLight": "267.4101552905778711337503145916259698263801071648087409210034113965710537047650959327193969891739315", "light": "267.410155", "standaloneScore": "4.86", "lightSharePercent": "17.0229" }, { "id": "OUT-SL3233-1920-1926-EARLY-TRANSITION-SURREALIST-LANGUAGE", "title": "早期图像实验与超现实主义语言形成", "year": "约1920–1926", "summary": "把平面图形、日常物件与不合常规组合发展为个人可识别语言。", "mReason": "是成熟路线的形成性语料，独立作品存在但范围与影响低于后续核心族。", "aReason": "勒内·马格里特 .55；比利时与法国超现实主义论辩者 .13；立体主义、未来主义与形而上绘画前史 .17；早期图形、广告与展览团队 .08；未解析份额 .07。份额为可修订研究判断。", "sources": [ { "label": "机构资料与原作记录", "url": "https://musee-magritte-museum.be/en/about-the-museum/biography" }, { "label": "机构资料与原作记录", "url": "https://musee-magritte-museum.be/en/about-the-museum/surrealism" }, { "label": "机构资料与原作记录", "url": "https://www.moma.org/collection/artists/3692" }, { "label": "机构资料与原作记录", "url": "https://www.magrittemuseum.be/index.php/en/museum-2/the-collection/" } ], "missing": "未逐件核早期作品目录；商业设计客户与共同劳动未知", "status": "缺证暂估", "overlapNote": "计1920年代初准抽象、图形工作到1926首批超现实主义画布的过渡语料；成熟文字—图像作品另族。", "M": "5.2", "budget": [ { "actor": "勒内·马格利特", "actorId": "SL-3233", "type": "PERSON", "share": ".55" }, { "actor": "比利时与法国超现实主义论辩者", "actorId": "RENE-MAGRITTE::BELGIAN-FRENCH-SURREALIST-INTERLOCUTORS", "type": "TEAM", "share": ".13" }, { "actor": "立体主义、未来主义与形而上绘画前史", "actorId": "RENE-MAGRITTE::CUBISM-FUTURISM-METAPHYSICAL-ART-PREDECESSORS", "type": "PREDECESSOR_POOL", "share": ".17" }, { "actor": "早期图形、广告与展览团队", "actorId": "RENE-MAGRITTE::EARLY-GRAPHIC-ADVERTISING-AND-EXHIBITION-TEAMS", "type": "TEAM", "share": ".08" }, { "actor": "未解析份额", "actorId": "RENE-MAGRITTE::UNALLOCATED-SL3233-EARLY", "type": "UNALLOCATED", "share": ".07" } ], "share": "0.55", "exactLight": "218.4089438044234879236387677982636239182223705135592457759062814331236696282019214907100713840575482", "light": "218.408944", "standaloneScore": "4.68", "lightSharePercent": "13.9036" } ], "exactTotalLight": "1570.882717728009671452805778074191874111185064475797196951880141663647515587572482525183312056222556", "totalLight": "1570.882718", "exactScore": "6.392840278134893336186930751298989565841252980699926227548753081137184448321308377467691666168059512", "displayScore": "6.39", "provisionalCount": 4, "provenance": { "releaseId": "research-200-20260914", "baselineLedgerSha256": "8bdd406b3e20ae22357644499e622922c670ff11010df0478c70c23b38902108", "c24DeltaSha256": "b0b96144d1d3397e54a61c3d706ff2da5920fe7617e3bef50407149cb97d9d62", "generatorSha256": "25de659e9852503508e7c27d8a31773b8da5d6310531b1e3699d18cc94319929" }, "priorScopeNote": "4项已列贡献的研究估分，含4项暂估。账本覆盖有限的主要成果，尚未穷尽生涯。M与归功份额是可修订的评估判断；未覆盖经历和负面影响不按零处理。", "rank": 41 }